My very personal, professional development journey as a Spanish teacher. Teaching using CI and TPRS methodology, touching on the traditional, and hoping for a whole lot of luck.
Saturday, October 8, 2016
IWLA 2016: Poster Session
Yesterday was a GREAT day at the all amazing IWLA conference. While I await anxiously for today's festivities to begin, I thought I would share my poster session since I have had a few emails asking me to do so.
2016: Reduce, Reuse, Recycle- Planning for multiple levels
Here is the link to my Google Drive with all my presentations. In here you will find the booklet handout (pictured above) and the short sample PowerPoint I showed.
For another recycling lessons example, here is my blog post about how I killed Bob in class.
Why contribute?
Every year there are so many people with wonderful offerings at IWLA that I feel like all I do is suck-up everyone else's knowledge. I become inspired, I become exited to go back to school on Monday, and I keep their information in my head forever (hopefully). This is the point of a well-run conference, right? Well, I still feel bad so I try to offer something in return. It may not be earth-shattering, but it might help someone somewhere!
You have something to offer too (and I want to know about it). If you aren't in Iowa, find your local world language association and join. Present, even if it is something small, do it. Many conferences have poster sessions which are 10 minute talks (like what I did this year), or do a whole 50 minutes. Just keep the knowledge sharing karma going!
Speaking of that, here is the link to the IWLA website where they create links of everyone who is willing to share their presentations! They have a great Pinterest page that stores links to frequent presenters' websites, presentations, and all sorts of goodies.
Stay tuned for a review of my take-aways from IWLA16. Look it up on Twitter, you will not be disappointed! #iwla16
Wednesday, August 24, 2016
Story asking 101: getting student "buy in" from day 1
Before I knew that CI/TPRS was a thing, I tried to teach my class in a similar way. I saw through my own small children at home that direct correction hardly ever changed my son's usage of "runded", no matter how badly I wanted him to use "ran". My kids would stay with me for an entire Walmart or Target trip if we made-up stories about the things we saw in the store. They would talk to me if I added sound effects to their stories. *Bing*, "Maybe I should teach Spanish this way. It's a whole lot more fun and my son's speech is improving by leaps and bounds."
That said, I had a HUGE amount of learning to do (and still do!) to really help my students. Trying to get random stories to flow in a way that promoted grammar intuition, that met my district's vocabulary standards was really hard. Thank you IWLA for having a conference to make my world complete.
Instead of truly telling a story, we actually make statements (There was a girl). Then we ask our students to confirm, deny/change, or add to the story.There lots of great resources, including the Green Bible, that explains this in detail.
Spanish 1 was easy, describe a person, short interactions, problem, resolution. They had limited vocab so it was easier to manage.
Then I bought the "Look, I can talk" series from Blaine Ray and realized that scripting wasn't really for me. I LOVED the student workbook for reading and organizing my focus for the day.
"So here is my idea. I think it would be fun to make-up stories in class. I will be the crazy charades lady, and you will participate... and be patient. We are all new at this and I think it is going to be a ton of fun, but I am learning too. So if you promise to give it your all, to listen to me repeat myself a bajillion times, I promise not to give you grammar worksheets. If you stay focused, roll with me when I need to regroup, I promise not to give you a textbook. Deal?" (They all agreed enthusiastically every time.)
Especially in my upper levels, I circle a lot less. They really want the story line to move along and see the character development. I still ask for them to change the story around, but not as repetitive. **I do some direct grammar instruction with my levels 3 and 4 (dual credit) so they develop not only an "intuition" but also a deeper knowledge of the "why".
I did my required syllabus stuff and then said, "Let's do a story". They cheered and adjusted to look front and center. I front loaded the vocab, gave a note sheet (this class is odd in that they want to write everything down, it works for them and I'm glad they know themselves well enough to communicate that), and then paused to review expectations.
Me: "Clase, what are my expectations of you during this story?"
Collective group: "Focus, no English, answers- the weirder the better!"
Me: "Prefecto mis estudiantes inteligentes. Una mas cosita. You need to tell me to slow down if you are sinking. Be clear about it (giving samples of hand signals) so I know you are confused and not simply gassy."
Collective group: *Giggles* "Deal."
Me: "Clase. I am trying a new story today so I have my paper out. You may need to remind me where we are at in the story at any moment. Clase, listos?"
Collective group: "Si, estamos listos."
It doesn't get better than a male-dominated class, filled with "too cool" football players, getting excited for story time. Not just excited, but active.
I try to stop when the class disengages. There are three options that work: when the kids are tired, there is either 1) pause for continuation next class, 2) the story quickly ends, normally very tragically, or 3) I stop and ask the kids.
Sometimes you just feel that today really isn't the day for story telling, for whatever reason. Listen to your gut and flat out ask why they aren't into it (kindly and inquisitive, never attacking). Sometimes you learn the home game ran real late and they are tired, and sometimes you learn you accidentally skipped ahead in your lessons and they are lost.
Ask, reflect, plan better next time. Use a back-up activity or lesson plan to fill your time with valuable input.
That said, I had a HUGE amount of learning to do (and still do!) to really help my students. Trying to get random stories to flow in a way that promoted grammar intuition, that met my district's vocabulary standards was really hard. Thank you IWLA for having a conference to make my world complete.
Story Asking
In TPRS, we often "tell" stories, out loud, to our language students. We find tons of cognates, slowly introduce new vocabulary (that is clearly defined by writing on the whiteboard), and repeat ourselves until we are blue in the face. This can be very difficult to do on a whim and it can be difficult to "stay the course" and not let our enthusiasm take us astray.Instead of truly telling a story, we actually make statements (There was a girl). Then we ask our students to confirm, deny/change, or add to the story.There lots of great resources, including the Green Bible, that explains this in detail.
My Struggle
I knew this wasn't going to go as well as I wanted the first few times. I didn't know how to circle "correctly" and I wasn't sure I was going to remember to hit the key grammar points like I needed to.Spanish 1 was easy, describe a person, short interactions, problem, resolution. They had limited vocab so it was easier to manage.
Then I bought the "Look, I can talk" series from Blaine Ray and realized that scripting wasn't really for me. I LOVED the student workbook for reading and organizing my focus for the day.
What I did about it
I told my students what I was doing
I teach high school now, so my kids are old enough to have a good conversation. I told them about my textbook Spanish class in high school. They looked at me in horror. I told them:"So here is my idea. I think it would be fun to make-up stories in class. I will be the crazy charades lady, and you will participate... and be patient. We are all new at this and I think it is going to be a ton of fun, but I am learning too. So if you promise to give it your all, to listen to me repeat myself a bajillion times, I promise not to give you grammar worksheets. If you stay focused, roll with me when I need to regroup, I promise not to give you a textbook. Deal?" (They all agreed enthusiastically every time.)
I told my principal what I was doing
I told my principal that I was trying something new and would like a few days to practice it. He asked if I wanted him to stay out of my room. I almost said yes, I'm glad I didn't. I gave him a "this has research, this is best for my kids- promise, and I need you to come in and tally mark my questions, please". So he did. It was great. He saw me learning, he saw students learning, and the most important part: he saw a community of learners supporting in each other in a committed and focused manner.I found a flow that worked for me
I do not follow the "script" 100% and I deviate a little from the "core principals" on occasion, but it works for me. I am happy, my students are happy, and it flows. I would rather be a bit off-center and still be on the path than on the path filled with pain, self-doubt, and crabbiness.Especially in my upper levels, I circle a lot less. They really want the story line to move along and see the character development. I still ask for them to change the story around, but not as repetitive. **I do some direct grammar instruction with my levels 3 and 4 (dual credit) so they develop not only an "intuition" but also a deeper knowledge of the "why".
How story asking looks now
It is my second full year into TPRS (with knowing it exists). I had my first day of classes today with my B day students. I have a large Spanish 2 class (for our school size) and was worried with going semi-deskless and full into flex seating that it would crash and burn. It was great.I did my required syllabus stuff and then said, "Let's do a story". They cheered and adjusted to look front and center. I front loaded the vocab, gave a note sheet (this class is odd in that they want to write everything down, it works for them and I'm glad they know themselves well enough to communicate that), and then paused to review expectations.
Me: "Clase, what are my expectations of you during this story?"
Collective group: "Focus, no English, answers- the weirder the better!"
Me: "Prefecto mis estudiantes inteligentes. Una mas cosita. You need to tell me to slow down if you are sinking. Be clear about it (giving samples of hand signals) so I know you are confused and not simply gassy."
Collective group: *Giggles* "Deal."
Me: "Clase. I am trying a new story today so I have my paper out. You may need to remind me where we are at in the story at any moment. Clase, listos?"
Collective group: "Si, estamos listos."
It doesn't get better than a male-dominated class, filled with "too cool" football players, getting excited for story time. Not just excited, but active.
When it bombs
What happens when a story flops. You get nothing from the kids, you feel it not going well, you get a quiz back showing no growth, what then?I try to stop when the class disengages. There are three options that work: when the kids are tired, there is either 1) pause for continuation next class, 2) the story quickly ends, normally very tragically, or 3) I stop and ask the kids.
Sometimes you just feel that today really isn't the day for story telling, for whatever reason. Listen to your gut and flat out ask why they aren't into it (kindly and inquisitive, never attacking). Sometimes you learn the home game ran real late and they are tired, and sometimes you learn you accidentally skipped ahead in your lessons and they are lost.
Ask, reflect, plan better next time. Use a back-up activity or lesson plan to fill your time with valuable input.
Major Take-Away
Be authentic with your class. Communicate with them the way you want them to communicate with you. It builds community, an understanding of the learning process, highlights that they aren't the only learners in the room, and you will be amazed how empathetic and kind they can be!Saturday, August 20, 2016
CI/TPRS Lessons and Ideas
I will continuously update this page with new units that were very successful for me in all my Spanish classes. Here will be pictures, general highlights, and things I would change for next time. Most of the rubrics and assignment sheet will be posted on TpT since my school does not do Google Drive and I have no desire to try to figure it out right now (when life slows down I will... life does slow down, right?!).
UNO, Phase 10, Skip Bo- I keep all these card games in my closet. I typed out key words and phrases in Spanish so they can play 100% in Spanish. I even started including "trash talk" on the cards (rapido nino, ya lo tengo, tomalo). **Storage Solution: I bought the pencil bags with a clear view window and three-hole punched "rings". I put the cards and the instructions in the bag to keep the boxed from being destroyed. I hang them up on the door of my closet on Command hooks so they don't get shoved to the back of the door.
Fast Finishers
The Pobre Ana Apples to Apples listed below is still a favorite for all my students at all levels.UNO, Phase 10, Skip Bo- I keep all these card games in my closet. I typed out key words and phrases in Spanish so they can play 100% in Spanish. I even started including "trash talk" on the cards (rapido nino, ya lo tengo, tomalo). **Storage Solution: I bought the pencil bags with a clear view window and three-hole punched "rings". I put the cards and the instructions in the bag to keep the boxed from being destroyed. I hang them up on the door of my closet on Command hooks so they don't get shoved to the back of the door.
Sub plans
Non-level specific
Dia de los muertos- Students create an ofrenda before Dia de los muertos. This link is to the project, two editable rubrics, and what I do in my class, with pictures. It does not include the Dia de los muertos lesson. I have used the TeachersDiscovery DVD, YouTube videos, and story asking in class to really help students understand (comparing Memorial Day, etc).Spanish 1
Pobre Ana Apples to Apples- Being a CI/TPRS teacher can seem a little challenging when you need the lower levels to... self propel for while. Whether it's because you lost your voice, you need to 1:1 conference with students about their progress, or you need to support some of your slower processors with small group focus; it is hard to not just handover a worksheet to keep others busy. My solution was to make a CI friendly game. It has key phrases, characters, and locations from the book and high frequency vocab. I also threw in some school teachers and local places the kids know about. The document is editable to add your own and change it to your local stuff. The best part is that I keep these in a zip-up pencil bag with a clear view window and my fast finishers LOVE playing this at all levels. (Print the cards with apples- more red than green- on cardstock and then run them the other way through the copier again to print words and phrases.)Spanish 2
MadLibs en espanol- I bought some cheap MadLibs books on clearance and make them comprehensible and in Spanish. I sometimes change nouns to fit with my units and structures. I rotate them out every quarter. Kids love them and enjoy making comic strips to show their comprehension.Spanish 3
Spanish 4
Presidential candidate tracker- It's election season, in case no one told you. This long-term project is in English is designed to have your students engage with an election many of them can vote in. They pick a Spanish class-related topic (immigration is the easiest), and follow voting records, public released statements, and news stories to draw their conclusion on what they consider "the candidate to vote for". This is not in TL but it engages deeper thinking skills and real-life application in a way we can't do in the TL at this level.Friday, August 19, 2016
Bob and Fred died while in my CI/TPRS classroom
If your CI/TPRS class is like mine, students seems to always want to name our characters/monsters "Bob" or "Fred". My Spanish 1's (first exposure to Spanish, period) just seem to get stuck. I don't want to discourage them from providing answers, but sometimes we need to mix it up. My solution: accept if for a month, then kill Bob and/or Fred. Slightly morbid but all in good fun... and to maintain my sanity. PS- it also plays beautifully into a lesson plan the kids won't forget.
After asking about and circling day of the week and location:
"Class, it is Tuesday in the cafeteria at High School Name Here. AND, there is a boy."
class response: oooOOOoooh
"Class, is the boy's name Oscar or Antonio Banderas?"
class response: Antonio Banderas!
"Yes! Of course! It is obvious that Antonio Banderas is in our cafeteria on Tuesdays."
Then I circle what Antonio Banderas looks like (with a handy pre-printed picture of Antonio Banderas... because everyone should have a picture of Antonio Banderas in their desks and planners and cars, and family tree). Then we continue on with why he is there. Again, trying to direct the story and hit key structures:
"Antonio is in the cafeteria at High School on Tuesday because he is hungry or because he has blue shoes?"
class response: He has blue shoes!
"Oh no, Class! Because he is hungry. Antonio is in the cafeteria on Tuesdays in High School because he is hungry." *Start circling "is hungry".
"Oh no, Profe! Es obvio. Se llama Bob!" (Oh no, teacher. It's obvious. His name is Bob.)
How do you squash that!?!? I don't, I let it ride, I often high-five the kid to reward the risk taking behavior in order to show other students this is not only okay, but expected.
Bob and Fred show up everywhere, if not a main character, it's a pet. If not a pet, a street name... and so on. Also, it isn't just one of your Spanish 1 classes... it's in all of them. Sigh.
Hint for success: Get a stuffed animal (ours was a pig last year) and use that stuffed animal to represent "Bob" every time he shows-up in story asking, story telling, movie talks, etc. Students should see that stuffed animal just laying around and make a comment like, "There's Bob" when they see it. "Bob" becomes real.
Materials Needed
Most people have seen Pinterest-worthy classroom crime scene pictures. This is what my lesson was the week before Halloween. Not only did this help Spanish 1 get over using "Bob" in class, but I recycled it between all 4 levels of students.
Spanish 1 used the crime scene to work on 1) identifying vocabulary, 2) using "is" and prepositions to describe the scene, 3) descriptions of objects and the victim (Bob), and 4) investigative skills to look for clues, I give my students magnifying classes to really sell the set-up. They need to focus on reporting the facts. They work in detective pairs to fill out the "crime report" with as many facts and descriptors as possible.
Spanish 2 used the crime scene and Spanish 1 notes to evaluate the scene. Then they focused on working on 1) logically sequencing events and 2) describing the who the victim was, my advanced kids will write Bob's obituary and then plan a funeral service.
Spanish 3 used all of the above information to draw a reasonable conclusion on their top three suspects. They are using interviewing skills, synthesis skills, logic and reasoning. This is more of a student-generated story at this point. I am really looking at their habitual grammar errors to know what to focus on moving forward.
Spanish 4 draws the conclusion of who the murder was and they review all materials. Then they write how they would have committed the murder to get away with it based on the scene. A little dark but it is great to see their usage of the conditional, subjunctive, and the past progressive during this activity.
Occasionally one student tries to resurrect Bob and I remind them that Bob is dead.
Two or three years ago the students insisted we have a memorial service and burial for Bob. Bob's casket was a shoe box, we buried him in my cupboard, and all the students shared their favorite thing about Bob or something they liked about him. (using "gustar" and "favorit@" at this point).
Sam
Encouraging creativity without squashing participation
This is a key concept if you have "routine" characters that keep making appearances in your class stories. During the last couple of years, I have noticed that Spanish 1 students try to stay within a very routine and predictable story telling pattern. I believe this is due to their middle school English composition classes; not sure if this is it, but it makes sense to me. For the first month or two I let this continue without much pushing for several reasons:- If I know what they are going to add to the story, and I want something a little different, I either 1) tell them something different or 2) ask a dichotomous question with "strange" answers
- They are yelling out what is comfortable because it helps move the story along= evidence of comprehension and engagement
- They are still young and in the mindset of a "right answer" instead of exploration and risk-taking behavior
- They are new and have limited exposure to Spanish culture and norms, they really may be at a loss to throw out "abnormal" names (compared to classmate's names, etc.)
After asking about and circling day of the week and location:
"Class, it is Tuesday in the cafeteria at High School Name Here. AND, there is a boy."
class response: oooOOOoooh
"Class, is the boy's name Oscar or Antonio Banderas?"
class response: Antonio Banderas!
"Yes! Of course! It is obvious that Antonio Banderas is in our cafeteria on Tuesdays."
Then I circle what Antonio Banderas looks like (with a handy pre-printed picture of Antonio Banderas... because everyone should have a picture of Antonio Banderas in their desks and planners and cars, and family tree). Then we continue on with why he is there. Again, trying to direct the story and hit key structures:
"Antonio is in the cafeteria at High School on Tuesday because he is hungry or because he has blue shoes?"
class response: He has blue shoes!
"Oh no, Class! Because he is hungry. Antonio is in the cafeteria on Tuesdays in High School because he is hungry." *Start circling "is hungry".
Bob and/or Fred show up unwanted... and stay too long
Sometimes when I plan the story to go as mentioned above, and I have a fast processor and/or a very linguistically gifted student, I will say "The boy is Antonio." Then, out of no where it happens: the unsolicited blurt of perfect Spanish from a student that is super-invested in the story."Oh no, Profe! Es obvio. Se llama Bob!" (Oh no, teacher. It's obvious. His name is Bob.)
How do you squash that!?!? I don't, I let it ride, I often high-five the kid to reward the risk taking behavior in order to show other students this is not only okay, but expected.
Bob and Fred show up everywhere, if not a main character, it's a pet. If not a pet, a street name... and so on. Also, it isn't just one of your Spanish 1 classes... it's in all of them. Sigh.
It's time for Bob to leave and never return.
I lost it last year. I couldn't take it any more. Every. Single. Class. had Bob in their stories, in their drawings... it was a "thing". So, I plotted the death of Bob. Then successfully carried it out in public without anyone protesting. Here is how I got away with murder (and made students learn at the same time).Hint for success: Get a stuffed animal (ours was a pig last year) and use that stuffed animal to represent "Bob" every time he shows-up in story asking, story telling, movie talks, etc. Students should see that stuffed animal just laying around and make a comment like, "There's Bob" when they see it. "Bob" becomes real.
Materials Needed
I labeled left and right on the scene so kids weren't trying to figure out "his left or my left?" Also, yes, that is a fake knife in the back of Bob. |
- Dollar store magnifying glasses
- Pre-organized note sheet to keep students focused (I will try to remember to post what my kids use... If October shows up and it's not up, someone tell me!)
- Space in the classroom to "tape off"
- Caution tape or you can use masking tape on the floor
- A sheet or tarp
- An assortment of classroom objects
- Plastic knife
- Red construction paper (as fake blood)
- "Bob"
Most people have seen Pinterest-worthy classroom crime scene pictures. This is what my lesson was the week before Halloween. Not only did this help Spanish 1 get over using "Bob" in class, but I recycled it between all 4 levels of students.
Spanish 1 used the crime scene to work on 1) identifying vocabulary, 2) using "is" and prepositions to describe the scene, 3) descriptions of objects and the victim (Bob), and 4) investigative skills to look for clues, I give my students magnifying classes to really sell the set-up. They need to focus on reporting the facts. They work in detective pairs to fill out the "crime report" with as many facts and descriptors as possible.
Spanish 2 used the crime scene and Spanish 1 notes to evaluate the scene. Then they focused on working on 1) logically sequencing events and 2) describing the who the victim was, my advanced kids will write Bob's obituary and then plan a funeral service.
Spanish 3 used all of the above information to draw a reasonable conclusion on their top three suspects. They are using interviewing skills, synthesis skills, logic and reasoning. This is more of a student-generated story at this point. I am really looking at their habitual grammar errors to know what to focus on moving forward.
Spanish 4 draws the conclusion of who the murder was and they review all materials. Then they write how they would have committed the murder to get away with it based on the scene. A little dark but it is great to see their usage of the conditional, subjunctive, and the past progressive during this activity.
Services for Bob
Normally the students leave it alone and move on, without Bob. Sometimes they reflect back and see exactly was I was doing and refer to the first quarter of the school as the WB (With Bob) time and then second quarter as PB (Post Bob) time.Occasionally one student tries to resurrect Bob and I remind them that Bob is dead.
Take aways
Help students get out of a rut and teach them to think outside the box. Some kids don't even know they are in a box. Show them the path, bury the past, and lead them to a great adventure of exploring language and new things. Help students be risk-takers.Sam
Thursday, August 18, 2016
Reaching All Students: accommodations in the world Ianguage classroom
All
teachers know that we like a good alphabet soup: IEP, 504's, ELL, ESL,
TAG... and the list goes on. While each student has their own learning
needs, some students require additional help and receive help navigating
school and preparing for adulthood. These students can receive help for
anything from fine motor skills, to dyslexia, to brain injury.
Additionally, students may only be eligible to receive these services in
a math goal, or only a reading accommodation. While many core subject
teachers receive help from a Special Education department, it seems that
word language teachers either lack these students in the classroom or
do not receive the same support as core subjects.
I had no Para Educators in my room, I didn't know any of them were identified as having IEP's until I noticed patterns in their work and behavior (3 weeks!!), and went over lunch to track down the head Special Education teacher and force him to tell me their accommodations. He then realized I had 17 students in one class and asked me why I was wasting his lunch if I could just ask the Para... I told him I didn't have on in my room and his response was "Yeah, I guess none of our Paras speak Spanish anyway."
If you teach in a traditional classroom with a textbook and workbook, I would suggest you keep any eye on student with both language and math goals. Many texts treat grammar as "formulas" and where students can apply these as a basic level and "plug and chug" with familiar vocabulary. This formulaic approach to language is very easy for some students to excel (they also tend to excel at math from my experience) and can let other struggle.
In the TPRS classroom and the traditional classroom, it is hard to go a day without reading. Most students with language goals struggle with reading comprehension and/or writing. Especially thinking about quizzes, some students struggle reading questions in English, making it difficult to answer without knowing what the question is asking for. Now asking comprehension questions in Spanish, where the word order is different and key helping questions words don't exist; "Do you have a hat?" "Tienes un gorro?". Spanish 1 students, especially in TPRS classroom, learn sentence by sentence which is helpful but can still be overwhelming.
I suggest asking for a para educator (special ed helper) if you have more than 3 students with IEPs and a large class. It is easier to work with them and support them in a smaller class. Either way, ask their special education teacher for accommodations that help the students in their English and math courses. Apply them in the same way or alter them to fit your class. At one school I had 17 kids with IEPs and the school wouldn't give me a para educator because they don't speak Spanish: it is not their job to teach, it is their job to support the student.
Native speakers in a Spanish 1 class, in a class with a majority of non-speakers, can make it feel like they are not going to benefit from class, and depending on their personalities it can become a classroom distraction. First, give a short written placement test (see mine here). You can see their reading comprehension and their spelling. Then I would recommend moving them to Spanish 2 or 3 depending on their literacy level. Spanish 1 is basically vocab building, if they have the vocab they can start right away on grammar and reading help in level 2 and fine-tune existing skills in Spanish 3.
If your school says no, I talk to my Spanish-speakers before or after school or during lunch. I ask them what they want to gain from this class besides the easy A. Sometime my speakers wanted grouped together and they did lots of novel/story reading and writing. I did much more traditional grammar work with them. I had one girl who wanted to be a teacher so she became my teacher aid and loved helping with acting, clarifying vocabulary, etc.
My number one suggestion for upper-level teaching for students with accommodations in high school: Ask the student what they need after establishing a relationship with him/her, and continually follow-up. Many students at this level can self-reflect and tell you what does and doesn't work. Also be careful not to "cave into" giving them easier work that doesn't apply to their learning goals; that is cheating.
My number one suggestion is to ask their main teacher what skills the students are working on in the classroom and try to help out. Here is what I did:
My student with Downs Syndrome could write her name and could speak. Her goal at the end of the semester was to be able to use "hola" and "adios" correctly plus maybe recognize a few other vocab words. I took our vocab words and wrote them on the lined paper for preschoolers. The word were written with dashes so she could trace them. There were also clipart pictures to the side to color. She loved them. She was also working on counting money in her classroom so we worked on "Cuanto cuesta" and money names. At the end of the semester she mastered: hola, adios, bueno, uno, tres, cuatro, and could match a few colors. Her para educator cried when I left and thanked me.
My nonverbal student also had some physical limitations but loved music. So we started class every day with the same song so she could dance and the other kids sang along. They were working on fine motor skills in her classroom so I printed connected the dots pictures of "Mexican things" and let her para educator hep point out the next dots. I also did current vocabulary color images she could try to color in. She was able to match her head movements to "si" and "no" by the end of semester.
My students that could kind of read and write could also speak. We focused on introductions (he was working on manners and social skills in his room) and manner basics. He could memorize anything but not apply it appropriately. I focused on sequencing a conversation like a typical introduction conversation would go and he memorized that. He was able to us "por favor" and "gracias" appropriately by the end of the semester.
My experiences
Having worked in a variety of district sizes, this is what I experienced:Large district 1
In this district I taught high school with block scheduling teaching Spanish 1. I had large classes in an urban setting. My most notable class was a class of 29, I had 4 students that were very gifted and left the last 20 minutes of every class to attend the local high school for only gifted students (they attend for the classes they need to and then are bused back to their regular high schools, they can take 1 or all 8 classes there based on performance, teacher recommendations, and testing scores). Depending on lectures and guest speakers, they would also come in late by half an hour. These students always made-up missed work and were never a problem, just early finishers (read my post about fast finishers here). This school did a nice job of not placing advanced native speakers in the lower levels unless needed for spelling, reading, grammar help. In this same class I also had two students with ankle tracking devices and 17 special education students with IEPs.I had no Para Educators in my room, I didn't know any of them were identified as having IEP's until I noticed patterns in their work and behavior (3 weeks!!), and went over lunch to track down the head Special Education teacher and force him to tell me their accommodations. He then realized I had 17 students in one class and asked me why I was wasting his lunch if I could just ask the Para... I told him I didn't have on in my room and his response was "Yeah, I guess none of our Paras speak Spanish anyway."
Large district 2
I worked in a middle school in an affluent neighborhood (a stark contract from the last district). I taught Spanish Exploratory and Spanish 1. My classes were around 25 kids. At this age, I had a few TAG (talented and gifted) students stand out in each class but for the most part I did not have any Special Education students in my classes since they would have many more opportunities to take a world language at high school for four years, these students were often in reading skills or math skills classes instead of WL classes (I actually agreed with this). However, I did have several students in the same class that received Special Education services with 1:1 Para Educators as the students were either nonverbal or had other severely limiting needs. I loved these kiddos, and I made accommodations for them so they felt included and valued (one girl even started to say "hola" to me in the halls and would give me a high five; best high five's ever).Medium district 1
I was with levels 2-4 and in all my classes about 50%, or more, of my students were native speakers. Most all could not write in Spanish, some could read, so we gave them a super informal placement test to determine where their needs were so the were either placed in Spanish 2 or 3 (4 was for college credit and they have to have a high school credit course completed before taking the college credit).Medium district 2 and current small district
Students with accommodations are placed on whether or not it fits in their schedule or encouraged not to take a WL.Making accommodations in a TPRS/CI class
Spanish 1
I truly believe that Spanish 1 is a special class that is pretty much an equal opportunity employer. Because the language is so basic, the playing field is equalized to some extent for student with specific IEP goals (math, language, etc).If you teach in a traditional classroom with a textbook and workbook, I would suggest you keep any eye on student with both language and math goals. Many texts treat grammar as "formulas" and where students can apply these as a basic level and "plug and chug" with familiar vocabulary. This formulaic approach to language is very easy for some students to excel (they also tend to excel at math from my experience) and can let other struggle.
In the TPRS classroom and the traditional classroom, it is hard to go a day without reading. Most students with language goals struggle with reading comprehension and/or writing. Especially thinking about quizzes, some students struggle reading questions in English, making it difficult to answer without knowing what the question is asking for. Now asking comprehension questions in Spanish, where the word order is different and key helping questions words don't exist; "Do you have a hat?" "Tienes un gorro?". Spanish 1 students, especially in TPRS classroom, learn sentence by sentence which is helpful but can still be overwhelming.
I suggest asking for a para educator (special ed helper) if you have more than 3 students with IEPs and a large class. It is easier to work with them and support them in a smaller class. Either way, ask their special education teacher for accommodations that help the students in their English and math courses. Apply them in the same way or alter them to fit your class. At one school I had 17 kids with IEPs and the school wouldn't give me a para educator because they don't speak Spanish: it is not their job to teach, it is their job to support the student.
Native speakers in a Spanish 1 class, in a class with a majority of non-speakers, can make it feel like they are not going to benefit from class, and depending on their personalities it can become a classroom distraction. First, give a short written placement test (see mine here). You can see their reading comprehension and their spelling. Then I would recommend moving them to Spanish 2 or 3 depending on their literacy level. Spanish 1 is basically vocab building, if they have the vocab they can start right away on grammar and reading help in level 2 and fine-tune existing skills in Spanish 3.
If your school says no, I talk to my Spanish-speakers before or after school or during lunch. I ask them what they want to gain from this class besides the easy A. Sometime my speakers wanted grouped together and they did lots of novel/story reading and writing. I did much more traditional grammar work with them. I had one girl who wanted to be a teacher so she became my teacher aid and loved helping with acting, clarifying vocabulary, etc.
Spanish 2-4
If you were fortunate enough to have your students at the lower levels, you likely know their needs by the time they get to upper level classes. If not, ask the previous teacher what work and be cognizant that their scores may be reflecting a learning need, rather than their proficiency. The same suggestions I listed above apply at this level. BE EXTRA CAREFUL that you are meeting needs of all your learners.My number one suggestion for upper-level teaching for students with accommodations in high school: Ask the student what they need after establishing a relationship with him/her, and continually follow-up. Many students at this level can self-reflect and tell you what does and doesn't work. Also be careful not to "cave into" giving them easier work that doesn't apply to their learning goals; that is cheating.
Students with severe delays/needs
I really only had this happen at my middle school exploratory or Spanish 1 classes. These students had their own 1:1 para educators (who were phenomenal) and there was obviously no way they could "learn Spanish". However, they brought joy to the classroom and had supportive peers, luckily for me. It broke my heart when it became obvious that there was no expectation for them to participate or enjoy class.My number one suggestion is to ask their main teacher what skills the students are working on in the classroom and try to help out. Here is what I did:
My student with Downs Syndrome could write her name and could speak. Her goal at the end of the semester was to be able to use "hola" and "adios" correctly plus maybe recognize a few other vocab words. I took our vocab words and wrote them on the lined paper for preschoolers. The word were written with dashes so she could trace them. There were also clipart pictures to the side to color. She loved them. She was also working on counting money in her classroom so we worked on "Cuanto cuesta" and money names. At the end of the semester she mastered: hola, adios, bueno, uno, tres, cuatro, and could match a few colors. Her para educator cried when I left and thanked me.
My nonverbal student also had some physical limitations but loved music. So we started class every day with the same song so she could dance and the other kids sang along. They were working on fine motor skills in her classroom so I printed connected the dots pictures of "Mexican things" and let her para educator hep point out the next dots. I also did current vocabulary color images she could try to color in. She was able to match her head movements to "si" and "no" by the end of semester.
My students that could kind of read and write could also speak. We focused on introductions (he was working on manners and social skills in his room) and manner basics. He could memorize anything but not apply it appropriately. I focused on sequencing a conversation like a typical introduction conversation would go and he memorized that. He was able to us "por favor" and "gracias" appropriately by the end of the semester.
Key take aways
Ask, ask, ask, ask, ask for help. These student have someone assigned to help monitor progress and to help teachers make meaningful accommodations. Don't worry about bothering someone, worry about severing your students to the best of your ability!Friday, August 12, 2016
The First Days Back in Spanish Class
The conversations are rolling about how to start the year in a CI/TPRS classroom. While I may not be perfect, this routine has worked fantastically for the last three years. I am the department of one in a high school so I know 3/4 of my students every year as they come back; I do believe this can work in middle school as well. For the elementary teachers, I offer no advice and believe you are a special breed of angel sent to work with young children. May the force be with you.
My simple answer to how to start the year is: teach your subject from day 1.
Here is how I plan it.
If your school requires you to preview a syllabus, do it.
If you have to rehearse and highlight emergency procedures, do it.
While you may think, "Oh, I'll do that next week. My plan is so much better," you are lying to yourself. Your plans are always better than the routine reminders, but you will forget to overview it and it is important.
Example: At my old school we had 8 period days with 48 minute classes. I taught Spanish 1 and exploratory. Students had the first 4 days to switch classes. We were also not allowed to give homework or "significant" in-class work to accommodate late schedule changes. Day 1- Required syllabus and class materials review. Introduction activity. Day 2- Required emergency procedure review (tornado, lock-down, fire, etc). Teacher naming students activity. Day 3- Required handbook policy review as selected by principal. Webquest on Spanish speaking countries. Day 4- Required (at our choice) team-building exercises.
From my required days listed above, this was great for community building, but at mid-term I had a student come up to me in tears because class was too hard and she wasn't expecting to have to use and listen to "that much Spanish" (this was a very loaded situation). After that private conversation and midterms, I polled the class; over 90% were happy with where their grades, but over half said they didn't realize how much work it was going to be since the first days were "super fun and easy".
My number 1 suggestion: teach from day 1 like it is a normal class. My Spanish 1 students walk-in and I only speak in Spanish for the first half of class; they've never had Spanish exploratory. I have them line up ("haz una linea" and I point and motion like a crazy woman). They get it every time. I also have a seating chart done before they walk in the door, I can make changes as needed. I model introductions by playing two people and then write it on the board phonetically (Oh-la, may yam-oh Profe). When the students catch-on, they say it quickly and and show them their seats. Once they all sit down, I go into English and high-five all of them for being awesome Spanish speakers. **I am aware this is not 100% CI/TPRS friendly, but it easily sets expectations of behavior among themselves, between myself and the students, and that they will survive.
My English portion is handing out a welcome letter that introduces the class expectations that both the parent/guardian and the student sign and turn-into me. I don't review it with them. They can read it on their own time.
Then back into Spanish we go. I play the super catchy "buenos dias" song from YouTube and have them join in. The second class we start the exact same way and then we play a pair-dance-switch game; they LOVE it every year and sing it to me in the halls... which gets the upperclassmen singing it too. Spanish 1 goes directly into cognates and then into a "manners game" were they get a small candy by saying "por favor" and "gracias" to each other for 3 minutes straight and exchange the candies hidden in their fists.
For Spanish 2, 3, and 4, they also have to do introductions and we start right away into "real learning". Spanish 2 typically goes into story telling, then asking, then a mini "mi verano" book project, and a novel by the start of week 3 (which is class 6 for us). Spanish 3 and 4 start with review projects plus a novel (see my post here with a freebie).
Week one: I teach my expectations as they are needed, in English.
Week two: I go over my serious rules (this is a judge-free zone, give it a try, ask for help or tell me to slow down) and syllabus with students in English.
I normally hand out a quick "calendar" of the quarter or semester with quiz dates and grading period deadlines. They can add things in as we get there.
My other major piece of advice is: do not let students get away with any form of poor behavior the 1st quarter when you have new students. Be tough but loving. Being firm makes them know you are keeping them accountable for being young adults. My upperclassmen will walk into one of my classes and even give younger kids the stink-eye if they are sharpening a pencil while someone else is talking or if they break into English. I never taught these rules, but they just pick-up it is part of respect.
Model the behavior and consistently expect it. Foremost, do it with love. If you don't at least tell yourself you like all your kids, it's going to be a long year with no report or respect. Always give love and respect before they've "earned it". They are humans, they deserve it.
Also, do behavior correction in English. If you need to, send the kid to the hall to remove him/her from the audience (here is a link to my behavior accountability form), I have them complete the form, and then I check-in when I'm ready, quick chat, and we walk back in with a clean slate.
Avoid sending kids to the office (unless it is physical/verbal violence). Sending kids to the office doesn't build a report with them, and it says "you are beyond my ability and/or care". You do care, you can't "deal with" unwarranted behavior in that moment because you are teaching, not because that student isn't important. In the last 6 years I have sent 3 kids to the office (once cussed out another student, one flipped a desk into my body while I was pregnant- she was high-, and the third walked-in while I was a sub and kicked another student in the gut). Sending them to the hall and the student knowing they will be contacting their parents with me the next time they have an issue seems to deter all of it.
I hope this is helpful and you have the best year yet, or at least one coffee and donuts can comfort.
-Sam
My simple answer to how to start the year is: teach your subject from day 1.
Here is how I plan it.
Steps to planning
- If your school says you have to introduce certain things, do that.
- Find out, 100%, what is your school's policy about dropping/adding/switching classes.
- Teach rules and expectations in English: These should never be unclear in any way or leave room for "I didn't understand that".
The have-to's
I am a person who lives on the edge of "I will do what's best for my students" and "I still want to keep my job". Luckily, for the most part, I have had supportive administrators that allow me to flirt with that line and keep me in-check.If your school requires you to preview a syllabus, do it.
If you have to rehearse and highlight emergency procedures, do it.
While you may think, "Oh, I'll do that next week. My plan is so much better," you are lying to yourself. Your plans are always better than the routine reminders, but you will forget to overview it and it is important.
Example: At my old school we had 8 period days with 48 minute classes. I taught Spanish 1 and exploratory. Students had the first 4 days to switch classes. We were also not allowed to give homework or "significant" in-class work to accommodate late schedule changes. Day 1- Required syllabus and class materials review. Introduction activity. Day 2- Required emergency procedure review (tornado, lock-down, fire, etc). Teacher naming students activity. Day 3- Required handbook policy review as selected by principal. Webquest on Spanish speaking countries. Day 4- Required (at our choice) team-building exercises.
School policy on class changes
This is a big one. This should determine your first week's plan. You need to offer insight to the course expectations to your students and give them a genuine taste of class. If all you get through before the end of the changing classes window is a syllabus and one fun activity you will have students in your classes that may not be ready or as committed as they need to be.My Light-bulb Example
From my required days listed above, this was great for community building, but at mid-term I had a student come up to me in tears because class was too hard and she wasn't expecting to have to use and listen to "that much Spanish" (this was a very loaded situation). After that private conversation and midterms, I polled the class; over 90% were happy with where their grades, but over half said they didn't realize how much work it was going to be since the first days were "super fun and easy".
What I do now... and will in 7 days
Currently I teach high school in a block schedule and students have three days to change classes. Because of the order they are seen, it is possible that I don't see a student until day 3 or 4 (this has happened a handful of times).My number 1 suggestion: teach from day 1 like it is a normal class. My Spanish 1 students walk-in and I only speak in Spanish for the first half of class; they've never had Spanish exploratory. I have them line up ("haz una linea" and I point and motion like a crazy woman). They get it every time. I also have a seating chart done before they walk in the door, I can make changes as needed. I model introductions by playing two people and then write it on the board phonetically (Oh-la, may yam-oh Profe). When the students catch-on, they say it quickly and and show them their seats. Once they all sit down, I go into English and high-five all of them for being awesome Spanish speakers. **I am aware this is not 100% CI/TPRS friendly, but it easily sets expectations of behavior among themselves, between myself and the students, and that they will survive.
My English portion is handing out a welcome letter that introduces the class expectations that both the parent/guardian and the student sign and turn-into me. I don't review it with them. They can read it on their own time.
Then back into Spanish we go. I play the super catchy "buenos dias" song from YouTube and have them join in. The second class we start the exact same way and then we play a pair-dance-switch game; they LOVE it every year and sing it to me in the halls... which gets the upperclassmen singing it too. Spanish 1 goes directly into cognates and then into a "manners game" were they get a small candy by saying "por favor" and "gracias" to each other for 3 minutes straight and exchange the candies hidden in their fists.
For Spanish 2, 3, and 4, they also have to do introductions and we start right away into "real learning". Spanish 2 typically goes into story telling, then asking, then a mini "mi verano" book project, and a novel by the start of week 3 (which is class 6 for us). Spanish 3 and 4 start with review projects plus a novel (see my post here with a freebie).
Rules and Syllabus
I assume they know at this point how to behave in a classroom and they will choose to do so, because I expect it from the moment they walk in the door. I also do not have any "required" information to review with each class (we do that with our 15 minute homeroom time in the AM).Week one: I teach my expectations as they are needed, in English.
Week two: I go over my serious rules (this is a judge-free zone, give it a try, ask for help or tell me to slow down) and syllabus with students in English.
I normally hand out a quick "calendar" of the quarter or semester with quiz dates and grading period deadlines. They can add things in as we get there.
Behavior expectations
I truly believe that if you start class with rules you become a dictator rather than an educator; especially at the high school level. We need to trust students that they know how to act and just expect them to do it.My other major piece of advice is: do not let students get away with any form of poor behavior the 1st quarter when you have new students. Be tough but loving. Being firm makes them know you are keeping them accountable for being young adults. My upperclassmen will walk into one of my classes and even give younger kids the stink-eye if they are sharpening a pencil while someone else is talking or if they break into English. I never taught these rules, but they just pick-up it is part of respect.
Model the behavior and consistently expect it. Foremost, do it with love. If you don't at least tell yourself you like all your kids, it's going to be a long year with no report or respect. Always give love and respect before they've "earned it". They are humans, they deserve it.
Also, do behavior correction in English. If you need to, send the kid to the hall to remove him/her from the audience (here is a link to my behavior accountability form), I have them complete the form, and then I check-in when I'm ready, quick chat, and we walk back in with a clean slate.
Avoid sending kids to the office (unless it is physical/verbal violence). Sending kids to the office doesn't build a report with them, and it says "you are beyond my ability and/or care". You do care, you can't "deal with" unwarranted behavior in that moment because you are teaching, not because that student isn't important. In the last 6 years I have sent 3 kids to the office (once cussed out another student, one flipped a desk into my body while I was pregnant- she was high-, and the third walked-in while I was a sub and kicked another student in the gut). Sending them to the hall and the student knowing they will be contacting their parents with me the next time they have an issue seems to deter all of it.
I hope this is helpful and you have the best year yet, or at least one coffee and donuts can comfort.
-Sam
Wednesday, August 10, 2016
But I Have a Textbook...
With CI and TPRS hitting the world language teaching community like a freight train, I have noticed the rise of textbook haters. I am here to stand firm as someone who doesn't have textbooks to defend those with textbooks. I hear your cries and you are not alone! Nor are you as limited as you may think.
I taught in several districts like this. I once had 30 students enrolled in class and only 28 desks; I never had a problem with not having enough desks because of the rotation of students. It was so much easier to accommodate a new student from the high school 9 miles away because I knew what the student would have been exposed to.
Textbooks are also written to expire so you keep buying them. Major and significant cultural events take place that transform cultural norms (the embargo ending with Cuba). The language changes before the new edition comes out. (When I started at my current tiny district the technology section had "floppy disks" in the vocab list.)
When teachers feel bound by a textbook, teachers stop teaching and they start shoving. We shove 45 new vocab words at them per unit, we shove three distinct grammar concepts at them, and we shove outdated cultural references at our students. They can't take all of that, and we know it. Then we shove "how to cram" "study skills" at them and tell them to focus really hard two nights before the quiz. Then we pray it sticks.
Look at all the Facebook teacher-y groups you belong to and read the threads about "the worst vocab section you were required to teach" or "this was on a standard test and I didn't know the answer". They are great for a laugh at the end of a long day.
I would genuinely state that any teacher, no matter the subject, that teaches a textbook front to back isn't doing their job... and is slightly insane. Our math teachers teach units out of order because it works better that way. Our science teachers use YouTube videos to highlight new applications of what is happening with the very concept they are studying. Our English teachers are using modern parallels to draw connections to "classic" literature.
Some baby step suggestions:
My teacher edition of Realidades had a TPRS story book for me to use; it wasn't bad! It even had mini stories for in class read-alouds.
Once your scope and sequence is identified, the hard part is done!
Knowing you need to incorporate 1)me gusta, 2) te gusta, 3) le gusta is easy when doing PQA or asking a story in general. That will take 2 classes tops before you're ready to add more.
If you get really good, you could ask a story around questions that already exist and use that as your comprehension quiz. It worked one time for me and it was great (there was a reading about a girl going to school, but I asked a story and they could still answer the book questions).
I also found it fairly easy to find YouTube videos that the questions would also work for. Many times I turned the sound off and had student watch the silent video and then answer questions, that way you are truly assessing their reading. Also think MovieTalk. It's great!
Textbooks serve a purpose
For large districts, especially those with transient populations, it is impossible to expect a student to learn a language if every school has multiple teachers teaching at different rates and different topics. Requiring all 35 Spanish 1 teachers to use one curriculum is the best way to serve students. Having identified thematic units with consistent vocabulary and similar grammar pacing, you help those students who are already at a disadvantage from moving so much keep up with their classmates.I taught in several districts like this. I once had 30 students enrolled in class and only 28 desks; I never had a problem with not having enough desks because of the rotation of students. It was so much easier to accommodate a new student from the high school 9 miles away because I knew what the student would have been exposed to.
Textbooks also have limitations
Many teachers take their textbooks as everything they have to cover. I know there are district wide assessments, standardized test, etc. Those cannot cover every little thing in the books.Textbooks are also written to expire so you keep buying them. Major and significant cultural events take place that transform cultural norms (the embargo ending with Cuba). The language changes before the new edition comes out. (When I started at my current tiny district the technology section had "floppy disks" in the vocab list.)
When teachers feel bound by a textbook, teachers stop teaching and they start shoving. We shove 45 new vocab words at them per unit, we shove three distinct grammar concepts at them, and we shove outdated cultural references at our students. They can't take all of that, and we know it. Then we shove "how to cram" "study skills" at them and tell them to focus really hard two nights before the quiz. Then we pray it sticks.
Look at all the Facebook teacher-y groups you belong to and read the threads about "the worst vocab section you were required to teach" or "this was on a standard test and I didn't know the answer". They are great for a laugh at the end of a long day.
Textbooks are tools, not a life plan
I would genuinely state that any teacher, no matter the subject, that teaches a textbook front to back isn't doing their job... and is slightly insane. Our math teachers teach units out of order because it works better that way. Our science teachers use YouTube videos to highlight new applications of what is happening with the very concept they are studying. Our English teachers are using modern parallels to draw connections to "classic" literature.
Mixing CI/TPRS with your textbook
Take baby steps
If you or your district isn't 100% on board with CI/TPRS then don't go 100% into it. Slowly start finding supplemental materials and work them in. There is a lot you can do to start going that direction.Some baby step suggestions:
- Timed write as your bellringer (you can use a picture or set of vocab words from the unit to get them to practice that specific stuff)
- Story telling or asking instead of "read the selection, answer the questions"
- Key cultural points in the book, find YouTube videos of what they are talking about, use it as a MovieTalk
- Cloze listening activities for key grammar structures or vocabulary are great ways to get in listening practice
- Teach in 90% TL for 90% of your classes
Identify the resource
When I was in the large districts, I was the only one with a book in my classroom. All the other books were stacked inside of file cabinets. I used my teacher guide as a pacing reference, cultural key points, and vocabulary builder. I should also note that my students kept up with the Jones' no problem, and I was their third teacher three months into the school year.My teacher edition of Realidades had a TPRS story book for me to use; it wasn't bad! It even had mini stories for in class read-alouds.
Once your scope and sequence is identified, the hard part is done!
Identify key grammar points
I know the CI/TPRS is not grammar focused, but your district and textbook are. I suggest starting here. Max out at 3; this means you may actually teach two mini units instead of one big unit. Think: if your students are solid on the first part, adding the second part is easier and they should do better on the district exam.Knowing you need to incorporate 1)me gusta, 2) te gusta, 3) le gusta is easy when doing PQA or asking a story in general. That will take 2 classes tops before you're ready to add more.
Identify vocabulary
This is the easy part, the list is at the end of the chapter! Genuinely look through the list and get rid of things that are antiquated or seriously not helpful (no one uses "floppy disk" or "armed chair"). I made lists on Quizlet and divided them up by "likeliness to be used in a story together". That way students could study the words in a grouping that touched them emotionally, physically, and differently than rote memorization.Use the exercises in the book
If you have a district test it should be written like the textbook (makes sense, right?). Give these as your formative assessments, or check-in points.If you get really good, you could ask a story around questions that already exist and use that as your comprehension quiz. It worked one time for me and it was great (there was a reading about a girl going to school, but I asked a story and they could still answer the book questions).
I also found it fairly easy to find YouTube videos that the questions would also work for. Many times I turned the sound off and had student watch the silent video and then answer questions, that way you are truly assessing their reading. Also think MovieTalk. It's great!
Never feel bad for teaching from a textbook
I cannot stress this enough. Most of us non-native speakers learned our language from a long series of textbooks then studying abroad. This is not something to be ashamed of.Tuesday, August 9, 2016
Helping Parents Help Students in a World Language Class
And so it begins. Welcome to the almost 2016-2017 school year. I have been in my classroom more than I want to admit this summer so I have been keeping up with my emails. I already have two from concerned parents about how they can help their students succeed this next school year. As teachers we could get into a long debate about the role of parents in high school students' education paths; over-bearing vs absent, enabler vs absent, too critical vs absent... see a theme? At times I remind myself that I would rather have a parent talking to me rather than not knowing if they exist.
As world language teachers, we also know we have a special breed of parent absentee-ism until grades are due. I have received a wide range of responses from parents (from "teach me" to "how can you expect them to learn a language you grew-up speaking"- which is untrue), so here is what I have done in the past and what I am currently doing to empower parents.
My policy is not written any where except a sticky note in my desk drawer; five years later and I still look at it from time to time. My policy is: Email- I never respond to an angry email before 24 hours. I always cc my principal in the response and forewarn if needed. I respond to random, check-in emails as soon as I can. Phone- I only respond to voicemail because of our schedule at school I let all exterior phone calls go to voicemail and return later. I can also be prepared to answer questions and anticipate voice tone. Grades- I discuss grades with students first. I will tell parents what they can see on the online grade book and walk them through it, but I only talk to students about "corrective plans". If the student hasn't come in to see me, I let the parent know and then call the student in during homeroom time.
I keep basics on my school webpage. It is sorted by level and I have a "Parents: How to help" section. This has hints and links to resources.
Always leave that door open, and mean it. I have had irate parents that never "attack" again after that statement, I have had supportive parents say they will stop in, and I had one parent come in for fun. The one parent that came in visited a class that wasn't her student's class and loved it; then told all their friends. The best way to build relationships is to work at it, just like you do with students.
Example
Parent: "I took German in high school and that teacher never spoke in English. I was so overwhelmed by all the worksheets and not understanding that I quit after a year."
Teacher (you): "That is great you tried! It can be overwhelming when teachers move on and you have no clue what is happening. The way I teach, I try very hard not to move on until we are all on-board. That's why I need Johnny to let me know, somehow, if he isn't understanding. If he keeps talking with me, he should have a successful year!"
Example
Parent: "I took Spanish in high school for four years and remember random things. I won't be much help."
Teacher: "I bet you will remember more if Kyle starts retelling you the stories from class. Since we don't have textbooks, a great way for Kyle to practice at home is to retell you some of the fun things that happened and then you can try to translate them. He can help if you get stuck."
I also believe that as CI/TPRS teacher I do need to provide work to recover grades (if that is your policy) that doesn't require me retelling a whole story or a ton of work on my part. I am already stretched thin, this may change as I become happier with my curricula and reuse it from year to year and as my tech in my room actually starts to work.
Example
Parent: "Lacy's grade is much lower than what is acceptable at home. I never see homework here and she doesn't know how to bring her grade up. What does she need to turn in?" There are landmine sentences in this.
Teacher: "Because of the way I teach, they have very little homework. I don't want any student to form a bad habit by practicing something incorrectly and make it harder in the long run. I am looking at her grades and she is missing a couple in-class assignments that she needs to check her binder for. She also needs to come talk to me so we can work something out and I can learn exactly where she is struggling."
As world language teachers, we also know we have a special breed of parent absentee-ism until grades are due. I have received a wide range of responses from parents (from "teach me" to "how can you expect them to learn a language you grew-up speaking"- which is untrue), so here is what I have done in the past and what I am currently doing to empower parents.
Policy: talking to parents
My advice: Make a policy about talking to parents and never, ever, break it.My policy is not written any where except a sticky note in my desk drawer; five years later and I still look at it from time to time. My policy is: Email- I never respond to an angry email before 24 hours. I always cc my principal in the response and forewarn if needed. I respond to random, check-in emails as soon as I can. Phone- I only respond to voicemail because of our schedule at school I let all exterior phone calls go to voicemail and return later. I can also be prepared to answer questions and anticipate voice tone. Grades- I discuss grades with students first. I will tell parents what they can see on the online grade book and walk them through it, but I only talk to students about "corrective plans". If the student hasn't come in to see me, I let the parent know and then call the student in during homeroom time.
Routine Communication
I send out email blasts every 2-3 weeks for my lower level students. I copy students in if they need to . Here is a copy and editable format for my parent emails. My upper levels seems to be the week before a big grade is due, if that. They are high school juniors and seniors at this point.I keep basics on my school webpage. It is sorted by level and I have a "Parents: How to help" section. This has hints and links to resources.
Give them resources
NEVER LEAVE A STUDENT/PARENT POWERLESS. Even if there really isn't much a student can do right now to raise the grade immediately, offer some type of help. Use a Quizlet teacher account (my kids LOVE it), assign or give YoutTube videos leveled for language learners, tell the student to play DuoLingo for fun, and to find some music in the TL they like and share it with you (this can also work as "recoop" points if you allow it).Get out of jail "free" card
"If you have any more questions or ever wonder what class is like, please come and experience Spanish class."Always leave that door open, and mean it. I have had irate parents that never "attack" again after that statement, I have had supportive parents say they will stop in, and I had one parent come in for fun. The one parent that came in visited a class that wasn't her student's class and loved it; then told all their friends. The best way to build relationships is to work at it, just like you do with students.
Responding to common comments: conferences
This is a quick look at how I respond to parents, especially at conferences. I try to keep it short and sweet and don't deviate from my written policies (and my mental ones). Most parents are great supporters, some are advocating for their child and are not fun to "deal with". Just remember, we don't know any more about what is causing a reaction than they know what our day to day classroom looks like.I took (a different language) in high school
This is a great problem to have! Parents are aware that students need to study, that learning another language is hard, and most of them came from rooms where the teacher never spoke in English. Don't forget: ask them what their experiences were like. Build on this by relating what they remember and explain how your classroom works (briefly).Example
Parent: "I took German in high school and that teacher never spoke in English. I was so overwhelmed by all the worksheets and not understanding that I quit after a year."
Teacher (you): "That is great you tried! It can be overwhelming when teachers move on and you have no clue what is happening. The way I teach, I try very hard not to move on until we are all on-board. That's why I need Johnny to let me know, somehow, if he isn't understanding. If he keeps talking with me, he should have a successful year!"
I took (this language) and don't remember anything
This is harder to address on a personal level. My suggestion is to look forward and stay focused on the current student. The easy way "out" is to respond with a playful "Hopefully Susie will have a different experience!"Example
Parent: "I took Spanish in high school for four years and remember random things. I won't be much help."
Teacher: "I bet you will remember more if Kyle starts retelling you the stories from class. Since we don't have textbooks, a great way for Kyle to practice at home is to retell you some of the fun things that happened and then you can try to translate them. He can help if you get stuck."
You don't have a book, how can s/he study at home?
This is a valid question, especially if you don't have a textbook and their student's grade is lower than expected. I designed my class so there is a component they can prepare for outside of class. This gives both the student and the parent feeling like they can control the grade somehow. My "control" or easy points are their vocabulary quizzes (They take 25 words at a time from the top 100 words list with the ability to retake as needed until the next list. They know what list to study for and I have seen an improvement in reading speed with accuracy during novels).I also believe that as CI/TPRS teacher I do need to provide work to recover grades (if that is your policy) that doesn't require me retelling a whole story or a ton of work on my part. I am already stretched thin, this may change as I become happier with my curricula and reuse it from year to year and as my tech in my room actually starts to work.
Example
Parent: "Lacy's grade is much lower than what is acceptable at home. I never see homework here and she doesn't know how to bring her grade up. What does she need to turn in?" There are landmine sentences in this.
Teacher: "Because of the way I teach, they have very little homework. I don't want any student to form a bad habit by practicing something incorrectly and make it harder in the long run. I am looking at her grades and she is missing a couple in-class assignments that she needs to check her binder for. She also needs to come talk to me so we can work something out and I can learn exactly where she is struggling."
Wednesday, August 3, 2016
Grade Like You Mean It 2: Organizing the grade book
Thanks to many great conversations through Facebook feeds and personal messages, I have had time to reflect and think about the organization process of transitioning my grading style. I had it worked out in my head, but nothing formally written down; a crucial step in goal setting. So this is my post about what this change means for me as a classroom Spanish teacher.
I use high lighters and written symbols to track things like absences (A in corner, highlighted in blue), missing assignments (highlighted in yellow, also circled if due to an absence), failed assignments (highlighted in pink; if they retake I write the new score in pen over the old score and highlight), behavior concerns (bx in corner in pen), and days I contacted parents (p in corner). Sounds like a lot, but it just works for me.
Categories
May teachers set up their grading categories by type of assignment: quizzes, projects, homework, participation, etc. Other options are by unit which is very helpful if you use a textbook: Unit 1, Gustar Unit, Realidades 2.6, etc. The standards-based school I was at used skill sets: Culture, Reading, Writing, Listening, and Speaking.
Proficiency-based: I am using the proficiency guidelines set-up by IWLA (discussed in previous post here). Therefore my grade book will use the three modes of communication as my grading categories: Interpersonal Communication, Interpretive Communication, and Persentational Communication.
Weights
The math department uses weights with their categories to calculate final course grades: 60% Tests and Quizzes, 40% Homework. When I was at the standards-based school, all five of our categories were weighted equally at 20% each (reasoning that all skills are equally important to language learning). Pros: This can keep "fluff" points from skewing final grades (e.g. homework, participation). Students have to preform well on their summative assessments if it is a project or test. Cons: The weights may not reflect what happens in the learning process. I taught 6 sections of Spanish 1 at the high school level when all five of our categories were worth 20% each. The problem I ran into, that the Spanish 4 teacher did not have, was that may Spanish 1 students weren't speaking as much so they had less grades entered into that category (we could only enter summative assessments for grades). The first quarter of the year, three grades made-up their entire Speaking category while the other categories had 10 assignments each. That meant that three assignment grades made up 20% of their final quarter grade. Not fair.
Points
For the last few years I have used total points for my grading system, no weights to any category. I still used categories to keep my grade book organized, but none were "valued" more than the others. Pros: Their grade reflects their overall work and mastery of the language in a very raw form. This also makes it easier for me to keep a consistent grade book between all four levels of Spanish. Cons: Grades can become easily diluted by "fluff" grades. If you give 5 points a week for participation and 5 points for every homework assignment; you can be giving out anywhere from 10-20 points a week in "effort" points. By the end of a quarter, that's 90-180 points. That is now worth more than the four 25 point vocabulary quizzes you gave and possibly worth more than your unit test.
Proficiency-based: I am going to continue to use points. I am very careful about what I take the time to grade versus look-over and use for my feedback. I want their grades to clearly reflect their mastery of Spanish, not how many papers they can hand-in on time.
They have 100 points worth of vocabulary quizzes per quarter. They typically have a mid-term and quarter test at 100 points each. Homework and participation points never total more than 40 points per quarter. Their comprehension quizzes from class stories etc. are about 10 points each and I don't use the grade for every quiz in the grade book. They normally have one smaller project about 50-100 points each quarter and a bigger project about 100-150 points at the semester.
I give homework points based on completion, and homework and participation points are very few, maybe up to 5 points at a time. (I also have a different idea about what homework looks like in my TPRS/CI classroom.) These points are never daily, maybe weekly. This gives enough "padding" to their grades to allow for a bad test day. *My Spanish 3 and 4 classes don't have homework or participation points.
My grading categories are in bold. The scores underneath each category are exactly what I type in the "assignment description" box in our online system. The points are in parenthesis and go in the "points possible" box in our online system. If you are standards-based using a 1-4 or 1-5 etc. scale, this is where your scores go.
I hope to include a picture soon (whenever the online system is up and running), but here is essentially what my grade book will look like after the introductory unit in Spanish 1.
Interpersonal: (totaling 29 points)
HW- greeting dialogue arrangement (2pts)
P- polite exchange game (2pts)
Q- Greeting questions (10pts)
Pjt- Hanging out with the new kid (15pts)
Interpretive: (totaling 24 points)
HW- comprehension questions reading story Miguel (2pts)
P- Active involvement class story Dracula (2pts)
Q- listening comprehension quiz Sara (5pts)
Pjt- Hanging out with the new kid (15pts)
Presentational: (totaling 22 points)
P- skit practice howtnk (2pts)
Q- grocery store checkout line responses (10pts)
Pjt- Hanging out with the new kid (10pts)
You can see for this unit- the final project was 40 points, quizzes were 25 points, and homework/participation are 10 points. As the year goes on, they receive less possible participation points, in the beginning it helps them be accountable for being involved in class.
The "Hanging out with the new kid" is a skit that each small group prepares using basic introductions and simple phrases. They record these and I grade them privately; following up with each group about their grade. It was only one assignment but it hits on all three categories based on the assignment requirements.
I also labeled the stories by character name so I can find which story it is for absentee students
Setting-up my grade book
Paper copy
My paper copy of my grade book won't change much. Yes, I still keep a paper copy because my trust in our online grade book has yet to be established (I did randomly lose an entire quarter of grades for two classes last year, win 1 for the paper back-up). My paper copy makes it easy for me to look at a student's behavior patterns (magically sick every time a project is due, never retakes a vocabulary quiz, etc.). I can also see if there are a lot of pink highlights in one assignment, I need to stop, reteach, and reassess. It is also easy to pick-up and go to IEP or intervention team meetings. This is also where my love for color coordination comes in. (I will post a picture of my book from last year)I use high lighters and written symbols to track things like absences (A in corner, highlighted in blue), missing assignments (highlighted in yellow, also circled if due to an absence), failed assignments (highlighted in pink; if they retake I write the new score in pen over the old score and highlight), behavior concerns (bx in corner in pen), and days I contacted parents (p in corner). Sounds like a lot, but it just works for me.
Online grade book
With the online grade book, we have very limited features and it vaguely resembles Windows cerca 1990's. We can't add commentary to an assignment (e.g. "0 points due to cheating/absence/not-submitted) and there is no highlighting or otherwise linking assignments together. The teacher side is also less organized looking than parent/student side.Categories
May teachers set up their grading categories by type of assignment: quizzes, projects, homework, participation, etc. Other options are by unit which is very helpful if you use a textbook: Unit 1, Gustar Unit, Realidades 2.6, etc. The standards-based school I was at used skill sets: Culture, Reading, Writing, Listening, and Speaking.
Proficiency-based: I am using the proficiency guidelines set-up by IWLA (discussed in previous post here). Therefore my grade book will use the three modes of communication as my grading categories: Interpersonal Communication, Interpretive Communication, and Persentational Communication.
Weights
The math department uses weights with their categories to calculate final course grades: 60% Tests and Quizzes, 40% Homework. When I was at the standards-based school, all five of our categories were weighted equally at 20% each (reasoning that all skills are equally important to language learning). Pros: This can keep "fluff" points from skewing final grades (e.g. homework, participation). Students have to preform well on their summative assessments if it is a project or test. Cons: The weights may not reflect what happens in the learning process. I taught 6 sections of Spanish 1 at the high school level when all five of our categories were worth 20% each. The problem I ran into, that the Spanish 4 teacher did not have, was that may Spanish 1 students weren't speaking as much so they had less grades entered into that category (we could only enter summative assessments for grades). The first quarter of the year, three grades made-up their entire Speaking category while the other categories had 10 assignments each. That meant that three assignment grades made up 20% of their final quarter grade. Not fair.
Points
For the last few years I have used total points for my grading system, no weights to any category. I still used categories to keep my grade book organized, but none were "valued" more than the others. Pros: Their grade reflects their overall work and mastery of the language in a very raw form. This also makes it easier for me to keep a consistent grade book between all four levels of Spanish. Cons: Grades can become easily diluted by "fluff" grades. If you give 5 points a week for participation and 5 points for every homework assignment; you can be giving out anywhere from 10-20 points a week in "effort" points. By the end of a quarter, that's 90-180 points. That is now worth more than the four 25 point vocabulary quizzes you gave and possibly worth more than your unit test.
Proficiency-based: I am going to continue to use points. I am very careful about what I take the time to grade versus look-over and use for my feedback. I want their grades to clearly reflect their mastery of Spanish, not how many papers they can hand-in on time.
They have 100 points worth of vocabulary quizzes per quarter. They typically have a mid-term and quarter test at 100 points each. Homework and participation points never total more than 40 points per quarter. Their comprehension quizzes from class stories etc. are about 10 points each and I don't use the grade for every quiz in the grade book. They normally have one smaller project about 50-100 points each quarter and a bigger project about 100-150 points at the semester.
I give homework points based on completion, and homework and participation points are very few, maybe up to 5 points at a time. (I also have a different idea about what homework looks like in my TPRS/CI classroom.) These points are never daily, maybe weekly. This gives enough "padding" to their grades to allow for a bad test day. *My Spanish 3 and 4 classes don't have homework or participation points.
Assembled grade book
I anticipate all three categories to be close to even by the end of each quarter. Spanish 2-4 should be just about 33% each. I think Spanish 1 will have a Presentational Communication category closer to 25-30% of their final quarter grades to allow for their comfort levels and their development in the language. Also remember that Presentational Communication looks very different at Spanish 1 versus Spanish 4 per the "I can statements".My grading categories are in bold. The scores underneath each category are exactly what I type in the "assignment description" box in our online system. The points are in parenthesis and go in the "points possible" box in our online system. If you are standards-based using a 1-4 or 1-5 etc. scale, this is where your scores go.
I hope to include a picture soon (whenever the online system is up and running), but here is essentially what my grade book will look like after the introductory unit in Spanish 1.
Interpersonal: (totaling 29 points)
HW- greeting dialogue arrangement (2pts)
P- polite exchange game (2pts)
Q- Greeting questions (10pts)
Pjt- Hanging out with the new kid (15pts)
Interpretive: (totaling 24 points)
HW- comprehension questions reading story Miguel (2pts)
P- Active involvement class story Dracula (2pts)
Q- listening comprehension quiz Sara (5pts)
Pjt- Hanging out with the new kid (15pts)
Presentational: (totaling 22 points)
P- skit practice howtnk (2pts)
Q- grocery store checkout line responses (10pts)
Pjt- Hanging out with the new kid (10pts)
You can see for this unit- the final project was 40 points, quizzes were 25 points, and homework/participation are 10 points. As the year goes on, they receive less possible participation points, in the beginning it helps them be accountable for being involved in class.
The "Hanging out with the new kid" is a skit that each small group prepares using basic introductions and simple phrases. They record these and I grade them privately; following up with each group about their grade. It was only one assignment but it hits on all three categories based on the assignment requirements.
I also labeled the stories by character name so I can find which story it is for absentee students
Monday, August 1, 2016
Grade Like You Mean It: Implementing Proficiency Based Grading
I am pretty lucky in my small school district; I have no set grading categories or requirements outside of the standard 10% grading scale (90-100% is an A). I have been in larger districts with set grading policies, even down to the structure of the grade book. I have worked with standards based grading (which I like... more later on that), weighted grading and grading by points. This post will document why I am changing my grade book and what it will look like as a TPRS/CI teacher.
Here in Iowa, we have no standards on a state level for world languages. All school districts are required to offer four consecutive years of one world language for high school credit. Great for job security, but lacking in the support and funding that other subjects receive (there is good and bad to all of it). However, we have a great local language association (IWLA) that is working to promote not only unity among world language teachers, but also on language standards and the seal of biliteracy.
The standards adopted by the IWLA are based on the ACTFL standards but paired down and easier to apply in the classroom without being over whelmed (in my opinion). These are teacher-friendly and student-friendly with handy "I can" statements.
Previously, my grade book was point-based. It naturally weighted quizzes and tests higher. However, if I had a few lazy kids that missed multiple 5 point assignments but mastered the skills on the test, sometimes they had a D and couldn't continue on to the next semester of Spanish. I also looked at the grade book from the student view and it was all a list; no clear focus on what the struggle points were. That limited student self-reflection on their progress in class.
At a previous district, they weighted the 5 C's (ACTFL) equally at 20% of the final grade. That didn't work well in lower levels because they may only have a few oral exercises and that could seriously impact their grade; even if they were really mastering reading and listening as many TPRS classrooms look like in the first year.
I want my students to see their grades, and know it represents their progress in Spanish language. I want them to know where their strengths are and what they can work on.
I am going to still operate in a points system that varies based on the level. Caution: When using a points-based system, you have to be careful to not "dilute" their grades with fluff and practice. If their grade is mostly made up of mini formative assessments (homework, in-class assignments, participation), then their grades can't communicate master of content, only how must "doing" they did. Yes, turning things in on time, following directions, and being engaged are life skills, but at 13 should failure to do homework really sink their grades if they are consistently hitting high marks on summative assessments? That is a personal question you have to balance for yourself or do what the district tells you to.
Participation really only shows up when they start to disengage. Usually 1 or 5 points. They receive credit for staying in Spanish during centers, or really going for it during Muevete Miercoles, or answering enthusiastically during coral responses.
Quizzes are around 25 points in my class. They take the 100 Most Commonly Used Spanish words 25 words at a time. They can study for this outside of class and I have seen that it has helped when reading novels; they fill in the "little" words quickly. Reading quizzes are about 10 points each and frequent in the beginning so I can catch kids that are falling behind quickly (and adjust my pace).
Tests are typically around worth 100 points and normally have 105 points possible. I expect them to make mistakes at this point so it gives them wiggle room without fear of "retribution". I don't know why, but their scores go up compared to classes without the extra 5 points but still the same test.
Projects are long-term and normally between 150-200 points. This includes check point scores. I give a 10% deduction from credit earned, per day, for late projects.
I also put large assignments in ahead of time, no point value until later. This lets parents and students know that they need to be working. "Novella Title: Final Project in 2 weeks" is a great space label.
Identifying and Defining "Proficiency"
For new teachers, ACTFL is the "governing body" of world language teaching. ACTFL does not actually govern, but supports us like the government is supposed to. They provide an array of resources, and the most applicable part to our job as classroom teachers; standards.Here in Iowa, we have no standards on a state level for world languages. All school districts are required to offer four consecutive years of one world language for high school credit. Great for job security, but lacking in the support and funding that other subjects receive (there is good and bad to all of it). However, we have a great local language association (IWLA) that is working to promote not only unity among world language teachers, but also on language standards and the seal of biliteracy.
The standards adopted by the IWLA are based on the ACTFL standards but paired down and easier to apply in the classroom without being over whelmed (in my opinion). These are teacher-friendly and student-friendly with handy "I can" statements.
Purpose Behind Change
I am on the standards-based grading train; grades should communicate mastery of skill and competency.Previously, my grade book was point-based. It naturally weighted quizzes and tests higher. However, if I had a few lazy kids that missed multiple 5 point assignments but mastered the skills on the test, sometimes they had a D and couldn't continue on to the next semester of Spanish. I also looked at the grade book from the student view and it was all a list; no clear focus on what the struggle points were. That limited student self-reflection on their progress in class.
At a previous district, they weighted the 5 C's (ACTFL) equally at 20% of the final grade. That didn't work well in lower levels because they may only have a few oral exercises and that could seriously impact their grade; even if they were really mastering reading and listening as many TPRS classrooms look like in the first year.
I want my students to see their grades, and know it represents their progress in Spanish language. I want them to know where their strengths are and what they can work on.
My New Grade Book
This year I will break my grade book up into three sections based on the IWLA standards: Interpersonal Communication, Interpretive Communication, and Presentational Communication.I am going to still operate in a points system that varies based on the level. Caution: When using a points-based system, you have to be careful to not "dilute" their grades with fluff and practice. If their grade is mostly made up of mini formative assessments (homework, in-class assignments, participation), then their grades can't communicate master of content, only how must "doing" they did. Yes, turning things in on time, following directions, and being engaged are life skills, but at 13 should failure to do homework really sink their grades if they are consistently hitting high marks on summative assessments? That is a personal question you have to balance for yourself or do what the district tells you to.
Student/Parent View
I learned this last year that the student/parent view of the online grade book doesn't look too different from the teacher side. I will be dividing my grades by the three categories above. Within each category, I will label the grade by type (homework, participation, quiz, project, or test) and then give points earned.Assigning Points
My homework used to be 5 points, all or nothing. This year it will be 2 points; done and one time 2, done and late 1, not submitted 0. This will not significantly impact their grades, but will show them and their parents if they are completing all the available learning opportunities; which sometimes clarifies why they are not progressing in class. I should clarify that "homework" is typically in-class work they may need to finish outside of class if they did not finish. We have block scheduling and a "seminar" study period, so I am okay with students needing to continue or put finishing touches on work outside of class. I very rarely ever assign content to be completed outside of class; 1) they cheat, 2) I don't want them to form bad habits if doing something incorrectly, and 3) they cheat. I do give choice work at a rate of 2 per quarter and 25 points each. This helps cushion their grade a bit and demonstrates clear connections between class and the real world.Participation really only shows up when they start to disengage. Usually 1 or 5 points. They receive credit for staying in Spanish during centers, or really going for it during Muevete Miercoles, or answering enthusiastically during coral responses.
Quizzes are around 25 points in my class. They take the 100 Most Commonly Used Spanish words 25 words at a time. They can study for this outside of class and I have seen that it has helped when reading novels; they fill in the "little" words quickly. Reading quizzes are about 10 points each and frequent in the beginning so I can catch kids that are falling behind quickly (and adjust my pace).
Tests are typically around worth 100 points and normally have 105 points possible. I expect them to make mistakes at this point so it gives them wiggle room without fear of "retribution". I don't know why, but their scores go up compared to classes without the extra 5 points but still the same test.
Projects are long-term and normally between 150-200 points. This includes check point scores. I give a 10% deduction from credit earned, per day, for late projects.
Clear Communication is in the Label
Clearly labeling the type of assignment and what the assignment is will help you with absentees and over vigilant parents. Labeling "Quiz: class story 1" is not helpful. Labeling "Quiz: In-class Victoria gustar" is very helpful. You know the student missed the story the class developed about Victoria that focused on the "gustar" structures. You know what Johnny needs to work on to build that skill or make-up the 10 point comprehension quiz.I also put large assignments in ahead of time, no point value until later. This lets parents and students know that they need to be working. "Novella Title: Final Project in 2 weeks" is a great space label.
Tuesday, July 26, 2016
Pobre Ana (as my textbook)
*Disclosure: I have put links to other sites in here. I am not paid or other wise encouraged to select these resources over any others or to promote them. This is genuinely how I choose to teach my classroom with my selected materials.*
I am a classroom set of my novels (I own most of mine and the school bought some...). Ideally I would like each student have a book. You can buy many leveled readers from many sites (Amazon, Teacher's Discovery, TPRSBooks). Here I will focus on just Pobre Ana, I think it is the easiest to start with since there are an abundance of resources.
Yes, it is repetitive and semi obnoxious for us teachers, that's because we know what we're doing in the language. I don't know about you, but my Spanish 1 kids don't know the language (no exploratory classes and no Heritage Speakers in level 1).
We read this book early in the year, normally starting before Halloween, and we read faster as we go through the novel. If your kids are bored with the book, change your approach, speed-up, and offer variety. Have just a handful that are bored, let them finish the reading ahead of the class in a small group in the back and give them an extention activity where they are starting to produce (output)*. *At this level, this early, this should not be for a grade, only positive and purposeful.
There is a teacher packet you can buy to accompany the Pobre Ana novel, created by the book writers. I purchased it I found this to be too much like a textbook workbook for my liking. It is a great resource for those recently transitioning teaching styles. I found it as a great reference for what I need to focus on during the novel. Sometimes it is difficult to remember how basic the language it (think back to your Level 1 class in middle/high school... remember much?). I used key points, comprehension ideas, and grammar highlights to lead my instructions and supplement during reading. Essentially I used this as the teacher guide. I also use some of the comprehension questions as reading "quizzes".
I created my own student packet, it is shorter (less paper "waste" according to the district), I print it in sections as we go through the novel, and it includes their projects, note pages, and directions. If you want to look at it, I will load it on my TPT next to the Pobre Ana Manzanas a Manzanas game.
I read the book for story line first and then several more times to identify new and crucial vocabulary or grammar structures. Then I thought about the essence of each chapter (I knew my Philosophy degree would come in handy some day!); what is the activity or plan? Then, how does this line-up into a unit?
That sounds like a lot of work, but it goes by pretty quickly. My honest suggestion, and what I still do, is to buy the teacher guide with the novel. If there isn't one from the publisher, check TPT. It may not be perfect for you, but it helps you navigate the novel the first time and figure out what your style and the students' needs are.
You can have a rolling unit where you break-up the chapter and use it in pieces to teach grammar etc. I recommend always doing a faster once over at the end.
You can also front-load the chapter, pre teach major vocab and structures and do a pre-read project.
You can also read the chapter and work on skills upon completion. I suggest for units that didn't need much vocab building (like chapter 1).
The unit where Ana discusses her likes with her new friend: gustar w/ infinitives and things (specifically looking at using correctly, expanding to te and le).
When Ana tours the town: I do a whole front-load unit on directions, drawing maps, learning town vocabulary. Students do a scavenger hunt, lead a blindfolded partner through obstacles, and build their own town on paper.
When Ana first arrives, we talk about transportation and pause at the end to talk about food and using manners. We do a "gracias" "me gustaria" "por favor" exchange with secret candy.
If this was helpful, I will continue to post more of novels I have completed and how I do this at the upper levels as well.
A dear friend of mine has been teaching for a while and she likes the idea of using a novel but likes the structure and variety of exercises her textbook offers. So we talked and I explained that I treat my novels (especially in Spanish 1 and the first novel of the year in 2, 3, and 4) as textbooks. I was talking to her and she thought this was very helpful for her and decided to pass it on. Then she called with questions, 6 times. I promised to write this, in hopes to help others see into my crazy brain and help in any way to encourage people to transition to TPRS methods (that I am self-admittedly not an expert at).
I am a classroom set of my novels (I own most of mine and the school bought some...). Ideally I would like each student have a book. You can buy many leveled readers from many sites (Amazon, Teacher's Discovery, TPRSBooks). Here I will focus on just Pobre Ana, I think it is the easiest to start with since there are an abundance of resources.
Pobre Ana... or Students?
There is a lot of hate surrounding the repetitiveness of this novel: "read the word problema 900 times". 1) That's an exaggeration, 2) I have yet to have one high school student complain about the book. I teach high school. My students are pumped when I remind them that they just read a novel in Spanish AND rocked it. I have parents telling me their students voluntarily tell them they can read in Spanish 2 months into school.Yes, it is repetitive and semi obnoxious for us teachers, that's because we know what we're doing in the language. I don't know about you, but my Spanish 1 kids don't know the language (no exploratory classes and no Heritage Speakers in level 1).
We read this book early in the year, normally starting before Halloween, and we read faster as we go through the novel. If your kids are bored with the book, change your approach, speed-up, and offer variety. Have just a handful that are bored, let them finish the reading ahead of the class in a small group in the back and give them an extention activity where they are starting to produce (output)*. *At this level, this early, this should not be for a grade, only positive and purposeful.
A Novel as a Textbook?
Many teachers talk about using a novel as part of the "rotation" (PQA, Story Asking, Story Telling, etc.). Reading the novel is reading separately to check for comprehension. I use chapters as themes or units.There is a teacher packet you can buy to accompany the Pobre Ana novel, created by the book writers. I purchased it I found this to be too much like a textbook workbook for my liking. It is a great resource for those recently transitioning teaching styles. I found it as a great reference for what I need to focus on during the novel. Sometimes it is difficult to remember how basic the language it (think back to your Level 1 class in middle/high school... remember much?). I used key points, comprehension ideas, and grammar highlights to lead my instructions and supplement during reading. Essentially I used this as the teacher guide. I also use some of the comprehension questions as reading "quizzes".
I created my own student packet, it is shorter (less paper "waste" according to the district), I print it in sections as we go through the novel, and it includes their projects, note pages, and directions. If you want to look at it, I will load it on my TPT next to the Pobre Ana Manzanas a Manzanas game.
Steps to Forming Units
I will update with my specifics about Pobre Ana when I get to school. Here is an example of how I did this.I read the book for story line first and then several more times to identify new and crucial vocabulary or grammar structures. Then I thought about the essence of each chapter (I knew my Philosophy degree would come in handy some day!); what is the activity or plan? Then, how does this line-up into a unit?
That sounds like a lot of work, but it goes by pretty quickly. My honest suggestion, and what I still do, is to buy the teacher guide with the novel. If there isn't one from the publisher, check TPT. It may not be perfect for you, but it helps you navigate the novel the first time and figure out what your style and the students' needs are.
You can have a rolling unit where you break-up the chapter and use it in pieces to teach grammar etc. I recommend always doing a faster once over at the end.
You can also front-load the chapter, pre teach major vocab and structures and do a pre-read project.
You can also read the chapter and work on skills upon completion. I suggest for units that didn't need much vocab building (like chapter 1).
Pobre Ana Units
*I promise to update completely tomorrow when I am at school*The unit where Ana discusses her likes with her new friend: gustar w/ infinitives and things (specifically looking at using correctly, expanding to te and le).
When Ana tours the town: I do a whole front-load unit on directions, drawing maps, learning town vocabulary. Students do a scavenger hunt, lead a blindfolded partner through obstacles, and build their own town on paper.
When Ana first arrives, we talk about transportation and pause at the end to talk about food and using manners. We do a "gracias" "me gustaria" "por favor" exchange with secret candy.
If this was helpful, I will continue to post more of novels I have completed and how I do this at the upper levels as well.
Monday, July 25, 2016
Welcome Back Spanish 3 & 4
School is back in session. It's pretty easy to start levels 1 & 2 with greeting and basic warm-ups; but what to do with those advanced kids?! Here I will share my go-to "project" for Spanish 3 & 4. Not only this, but I will also share how I use this to build a super-easy end of semester project.
Challenge and Expect from Day 1
Setting the tone (90%+ TL) in-class the first few days is crucial to avoid push-back later on (at least for me, this is very true).I give my Spanish 3 and 4 classes very little "warm-up" time. By day two I am requiring output in some form. I also have them working intentionally from day one on a medium-large group project (depending on my kids).
Diversify
As my previous post discusses, I teach in a block schedule which is challenging during the first week with my lower levels. My upper levels love it. We work from day 1 in the TL in varying formats so class feels more like centers from kindergarten than a full language/grammar-focused class.The first day, we do introductions (in a very small school, where they know everyone). I can watch their relief of, "Oh, I can do this. Okay." This is graded (very low point value, maybe 5 points) so everyone earns 100%. This is so inspiring for them, and it doesn't really effect their grades in the long term.
Then I read them a story in the TL. They sit around me, I sit in a chair, and we look like an over-sized kindergarten class; they LOVE it. Then they make a deviation of the story with a partner. This structured out-put and they feel good about it.
Then we do a 5 minute recap of a "random" grammar point (eg. identifying errors in me gusta(n), adjective placement and agreement).
Then comes the assignment. Then they work.
Re-cap assignment
I have both Spanish 3 and 4 create a news station to report the school's going-on's. They review summer camps and baseball, talk about the new student council members, the weather, and what homecoming will look like. Here is a link to this rubric and guide I give the students.Once the project is assigned, they typically work for the last 20-25 minutes of each class for three weeks (7 classes). Then they have one full day to work on editing and creating their newscast.
Recycle with a Purpose
I recycle these newscasts. As students create various video projects (Spanish 1-4), I save them in order and create a TV channel. I play this the last class period before end of semester tests. This leaves me with time to catch kids with missing assessments and to 1:1 conference with each kid about his/her progress.Friday, June 24, 2016
Teaching with TPR/TPRS in the Block
Many of the existing materials for TPR/TPRS are written for
classrooms that see their students 5 days a week (i.e. vocab preview,
story-telling, story-asking, embedded readings, writing day and novels). This
can be more difficult to apply in the block, not to mention exhausting. Here is the overview of how I survive in the block.
My block set-up
My current school is set-up on an A B day block schedule
where each class is an hour and twenty-five minutes. Each level of Spanish is
one year (requiring passing at semester to continue).
I have taught in a 4x4 block, each class is an hour and a
half (4 classes per day) and I saw them every day. A full year of language was
done in one semester.
CI: Comprehensible Input
This is pedagogy. Students acquire language through
meaningful input that they can understand. By keeping things within a clear
frame of reference, students truly internalize meaning instead of rote
memorization and rapid deterioration of vocabulary.
TPRS: Teaching Proficiency through Reading and Storytelling
This is methodology. This uses the idea of CI by labeling
vocabulary “in-bounds” and using lots of repetitions to increase exposure and
create true acquisition. This is done through readings, telling stories,
reading novels, asking stories, and personalizing content to make it engaging
for students.
Challenges
Using TPRS in a block can be exhausting. To keep students engaged for a whole block is innately a challenge. When you then take into account that TPRS pretty much requires you to be on point and turn into the crazy charades lady… I’ve never been called that (lie).
It is also hard to keep up a 5 cycle rotation when that
takes two weeks, minimum, in your planning time (assuming no breaks or PD days,
yay).
My Tips
I try to never let
one focus in class last more than 25 minutes. Then we brain break, move
seats, play a round of BANCO! (see post on time fillers here), something that
shakes it up and gets their blood moving. *Exception: if we are MovieTalk-ing,
story asking or telling and they are engaged and into it, we keep the momentum
going. I had a handful of classes where the story asking lasted for the whole
period and the bell rang at the very climatic ending. My quiet kid yelled “Qué lástima” in protest.
Read and write every
day in some capacity; even if it is student work being peer-reviewed or
read. This helps you transition and prepare for the next lesson or activity. Have
them write a review of what just happened. Sometimes you need a break to get
water to wet your whistle, or you need to find that class set of copies you
made this morning and then set down over there, maybe?
Monthly self-talk
is important, especially for the 1st and 4th years. Have
students write themselves a note and file it away. Pass the notes back out at
the end of the year. They can clearly reflect on their own progress. It is fun
watching them become language snobs.
Don’t forget to make
lesson plans. I know many teachers say things like “this seriously but down
my planning time and paperwork”, “one day predicts the next”. I found that in
the block, this is true to an extent. If I don’t have a plan, it is easy to
feel “done” and let the last 20 minutes of class not be as impactful as they
could be. Write those plans in a very short summary on the board to keep you on
track. Here is a link to the free sample pages for my lesson planner I created to help me (there is a fully assembled version that runs August-June).
Set a timer or
give a student the job of the clock watcher. They will help you remember to
transition to the next thing (going from story-telling to writing to reading to
oral summaries with a partner). If we need 5 or 10 minutes more, I just hold up
one hand or two to my clock watcher and they know it is like hitting snooze.
Have back-up plans ready at all times. We all have that class that seems like a karmatic result of a wrong-doing from a past life. They drain you. Or, maybe you have a sick kid at home and you were so tired you left your coffee next to your lunch on the kitchen counter. If you practice certain activities or skills with your students, sometimes you can get them to self-direct a little better. Also having plans like this keep you from dipping into your sub-plans.
Have themed days.
These days are not related to a sequence of instructions, but rather to the “incentive
break” of the day. If kids have you on Tuesday and Thursday of that week they
can look forward to cloze listening or sometime of music and then game time.
Here are my theme days for my classroom. I love a good alliteration, it that is wrong, I don’t want to be right.
locura en lunes-We tend to play large-group games like BANCO!, board races, Simon Dice, Navegando, Spanish Partner Programming, Pasa el Bolo, and various others. Here is my post about whole class games that work for me.
música martes- We do cloze listening activities (I keep a
running doc folder with popular songs and lyrics pre-saved. This way I can
blank-out vocabulary that related to our current stories, key words, or the
frequent flyers and then print them as needed). I also let my upper levels,
generally better relationship and I know if I can trust them, explore new music
and report back (they draw a genre or country they have to look for).
muévete miércoles- I have always tried to find various
dances to use as brain breaks but never thought to organize it. THEN, I went to
the fantastic IWLA conference in 2014
where Allison Weinhold presented about baile viernes. I decided to jump in her
conga line and organize mine midweek (it fits nicely with our early out days
etc). If you are hesitant or worry about “wasting class time”, poohy. My kiddos
haven’t noticed my dirty little secret: we start class with the dance, Zumba,
or workout series (in Spanish) and then I never leave the TL and/or focus on
difficult concepts (stressing grammar, addressing explicit grammar in English,
pushing old vocabulary words, and requiring responses). They love it.
juego jueves- Depending on what the day looks like, they get
15-20 minutes to play games, in Spanish, with each other. Uno is super popular,
my homemade Manzanas a Manzanas, conversation Jenga, Guess Who (I used one
games and replaced the pictures with photos of other teachers), and Scrabble.
They stay in Spanish; I expect it so they do it. If they veer off track, the
time ends and we go back to normal class.
video viernes- Movie Talks are popular more frequently on
these days. I also try to make their project work days fall on here. We have
done music video analysis (pointing out landmarks, comparing the English
version to the Spanish version, other cultural key points).
Subscribe to:
Posts (Atom)